#where the devil hides icons

[screensland]

Mary — Where the Devil Hides, 2014.

[roseboysstuff]

Hey i have a leon request where dad leon and son ftm reader are going to a Halloween party and they dress up as an iconic couple(you can choose what they dress up as) and reader's costume attracts alot of eyes which leon really doesn't like so he drags reader to the bathroom to do the devils tango? Feel free to totally ignore this if it makes you uncomfortable

Jealous Leon is my jam, and adding incest in there makes me go awooga

Leon was excited for tonight. The Halloween party you had spent weeks planning was finally here, and all your friends, and his friends would be coming to celebrate. He didn't know what you were wearing, but he was wearing a mummy costume. He assumed you'd be wearing something similar, but he was in for a surprise. He sat down with a beer, mingling with some of his friends that had arrived. When you entered the room. His jaw dropped, along with everyone else's jaws. You were dressed as an incubus, your body only barely covered, with leather shorts and a crop top. A little heart shaped opening on the small of your back, just above your ass. Another heart opening on your chest, almost showing your nipples. Any lower and you'd be on display. Fishnet tights hugged your legs, making your thighs look delicious. Leon watched as you talked to your friends, and he saw all the eyes on you. All these people were staring at you. Your ass straining against the leather. This was too much for him, so he grabs your hand. "Come with me, gotta talk to you about something." You follow him, as he leads you to the bathroom, and locks the door, then pushes you against the wall, whispering in your ear. "My slutty little son, did you like all those eyes on you? All those people, wishing they could fuck your slutty pussy?" He pulls your shorts down, and starts fingering you, using his thick fingers to stretch you open. "This tight cunt is mine, ain't it? Ya belong to daddy." Bends you over the sink and just fucks you, with his fingers in your mouth to keep you quiet. "Don't want them to hear, they'd know how much a slut you are for your dad" You spend the rest of the party, trying to hide your flustered expression, and trying to ignore your dad's cum dripping out of your pussy. Luckily, it doesn't seap through the leather, but you can feel it all night.

[depressedraisin]

notes on "mr. snarl"

hello, hello, hello welcome to the mr. snarl is high camp discourse. i've been readin' and thinkin' and drivin' myself nuts over this, so i'll be blabberin' on for a good minute. bear with me.

before we dive into any discussion of camp, we ofcourse need to understand what camp is in the first place. camp as an idea is nearly impossible to neatly put down in a few words or a sentence. it has no definition as of such. camp is loud. camp is ostentatious. camp is exaggerated. camp is 'too much'. camp is gay. camp is ironic. camp is cheeky. drag is camp. marlene dietrich is camp. baroque art is camp. cher is camp. mommie dearest (1981) is camp. the rocky horror picture show (1975) is camp. dostoevsky is camp.

the girlies who get camp get it, those who don't, don't.

however we do have susan sontag's 1964 seminal essay 'notes on "camp"' from where most of our contemporary ideas and understanding of 'camp' comes from. in her essay, sontag noted 58 points on what camp is or might be. for our purposes in this post, we'll go by those. because it is the camp bible of course. and i am a pretentious bitch.

now before we get to the meat of the matter, a quick detour to discuss the many faces of alex turner.

alex's personas have now come to as closely associated to his image as an artist and public figure as blonde wigs are with dolly parton, i suppose. it even has its own section in alex's wiki page. he is one those performers to whom the "eras" concept can truly and perfectly apply. he is a different man on stage with every new album, each 'era' is unique from the other and distinctly defined. a new 'era' for alex is not only a change of a haircut or a new pallette, it is a total revamping of his mannerisms and performance style and public image. be it mr. schwarz (the car era), mark (tbhc era) or oliver tate sr. (early sias era), each one of his personas is another way in which he represents the themes of that album. understanding a persona is integral to understanding the album.

and alex admits to as such. each Performer is a fractured reflection of his own self, and of the album.

but. but. i do not think that he has always made use of the Performer, or atleast, tried to make perceivable distinctions between them. in the first three-four years of his career- during WPSIATWIN and FWN, he presented as just Some Guy. just another normal bloke from sheffield. which, you could argue, was the persona that fit the context of those albums, but i would say that he was probably not putting that much thought into it at the time. it isn't until TAOTU that we see alex using his on-stage fashion to project a certain kind of image that ties in with the music he's playing. (do i think it's miles' handiwork? yes.). the lil suits and ties and beatles-mop cuts, y'know.

the first distinct Performer appears during the Humbug era. the soft-spoken, brooding, fawn-mannered poet who is probably hiding a bagful of secrets and hang-ups behind those layers of brown curls- let's call her him aly. then we have the bright-eyed, puppy-smiled, deep-voiced loverboy of the early SIAS era. i propose to call him oliver tate sr. (after the guy from submarine (2010) obviously). then mr. snarl- we'll get to him later. the loud and theatrical and slutty and deliciously gay EYCTE era persona. then the melancholic space poet mark of TBH&C and finally the suave auteur of The Car- mr. schwarz.

mr. snarl is the one who has garnered the most fascination and endured the most in popular imagination. dare i say, AM-era alex turner is a lowkey late 2010s pop culture icon. it is very easy to understand why- the quiff, the leather jackets, the perpetual sunglasses, the biker boots, the LA drawl tinging his sheffield accent, the devil-may-care wantoness. the girlies on tiktok and pinterest aren't obsessed with him for nothing.

so, what makes mr. snarl camp? what am i yapping on about?

let's get back to sontag.

camp is artificial. camp is ironic. mr. snarl is too. he is a character. he is a mask. *cue the bourne identity and body paint*. 'artificial' does not imply fake or dishonest. we should be careful not to be quick in putting any value judgement onto this artificiality- the aritifice is a quality of camp. you can't appreciate camp, if you snigger at the artificial.

2. camp is character. mr. snarl is a character if there ever was one. extremely defined, visually and behaviourally- you see a performance and can immediately recognise the moment mr. snarl is peeking through. he is also very intensely one thing- very intensely masculine, very intensely rockabilly, very intensely rock god. he is 'instant character' as sontag puts it, which is why perhaps he so immediately and so firmly gripped our collective imagination.

3. camp is exaggerated. camp is style. do i even need to elaborate on this? Ben Beaumont-Thomas of The Guardian said it much better than i could- alex ironically "played with the role" of being a rockstar but simultaneously "can't help but be a real rock star." so, to put it in sontagian terms, he is not a rockstar but a "rock star"

the 2014 brit awards speech is the peak of this ironic, exaggerated performance i think. (i'm still waiting for someone to do a drag performance based on it).

4. but to me, what makes mr. snarl camp is his performance of gender. now let's get one thing clear- camp is not effeminate or queer behaviour. it is the "spirit of extravagance", so any kind of extravagant and ironic presentation of gender can be under the purview of camp.

this performance of gender is not the david bowie or marc bolan or brian molko kind, no. this performance of gender is much subtle, much more nuanced- he wasn't playing around with rigid definitions of gender or crossing gender lines. he wasn't trying to say something with it necessarily. i doubt even, if it was a purposeful thing that he was thinking of back then.

but mr. snarl is a performance of gender. it is a performance of masculinity. and the thing that makes it so very interesting is that it was a cis, straight man doing it.

[if y'all are interested, another interesting example is dolly parton + her persona + her performance of exaggerated femininity. for more on that i'll point you towards be kind rewind's video essay on her.]

mr. snarl was an image of a very certain kind of masculinity. 1950s, elvis presley, rockabilly, greasers, james dean- these are some of the pop culture touchstones that come to mind when we think of mr. snarl. he is also decidedly american. a "fictional character from america" as alex later put it. was this whole persona thing an effort to conquer america then? perhaps...but eh. there is no way i can conclusively say that. it certainly helped that cause. AM the album was very us-american in essence-- it drew from hiphop and r&b after all. the soundscape of the arctic monkeys was very much rooted in its northern british indie roots, and AM was the first one that was clearly not. and mr. snarl was just a visual reflection of that. [for more on how the arctic monkeys conquered the us]

mr. snarl was a certain kind of masculine in a way alex turner personas haven't been previously or since. he has always presented as conventionally masculine. even the humbug persona- him being my girlfriend notwithstanding- is not much different from the aesthetics of say, ray davies or mick jagger or george harrison back in the 60s and 70s. the slightly effeminate dramaticism of eycte is not exactly gender-bending as such.

but mr. snarl was hypermasculine. masculinity has had an interesting place in his lyrics up until they- they are both critical ('brianstorm' 'a certain romance') and fascinated ('jeweller's hand' 'catapult') of more aggressive masculine characteristics. (he does use a lot of very sexual but not necessarily erotic language to describe said masculinity- but that's another can of worms.) mr. snarl was in a way, alex being those characters from those songs he was writing about. mr. snarl also very aggressively straight. straight with a capital s. his songs in AM still had the self-abasing and submissive undertones to the narrator that love songs from humbug and sias, but much toned down. he was out there shouting out his girlfriend on stage. and who can forget the "ladiessssssss!" moment. he had models hanging off him in photoshoots.

you probably saw these photos and thought- "what the fuck?!" with a cackle. that is exactly what makes mr. snarl camp. the irony, the ridiculousness of it all.

5. i don't think alex was trying to be or do camp. camp is best when it is not intentional. i can even confidently wager alex would not take it as a compliment if i showed him this essay. a lot of very "serious" people look down upon camp as something lowbrow and tacky and unserious. but it isn't. i would go ahead and classify mr. snarl under naive camp- he is trying to be straightlaced and serious, but failing grandly, which makes it deliciously camp.

so. mr. snarl was an exaggerated representation of masculinity. in a sense, mr. snarl was basically drag. alex turner being "Alex Turner".

[werewolfcave]

Lucy Heartfilia bears a stunning resemblance to her mother. This fact has colored much of her identity and life.

At first she was just a mirror of a woman still living... Free to be herself.

I think Lucy was a tomboy before her mother died. I think she scraped her knees all the time, I think she wore shorts or breeches and t-shirts all the time and climbed trees. I think she mouthed off and couldn't help doing 5 different cannon balls into the pool until she got it right. I think she wouldn't be caught dead in a skirt because it snagged on the bark too much and she couldn't ride her horse if she wasn't wearing pants.

And then... One day... that little tomboy kid was crushed, the seed of butchness stomped out, she was made to be a replacement for her mother.

She lived in dresses and skirts, taught how to sit like a lady, taught the proper posture, taught that proper girls don't get dusty in the stables, don't play in the mud, don't throw tantrums when their father doesn't play with them.

She lived the life of a noble girl turned woman, and then she ran. She tried to become her own self.

But the remnants of being Layla remained, even as she fully resolved to never return home she couldn't stop... Not when she felt like the only way to be a good celestial wizard was to be a reflection of her mother. She never stopped feeling guilty that she wasn't her mother when it came to Aquarius.

Out in the world she uses that feminity she has learned like a tool. It's not something she is comfortable in it's something she is using to survive, to haggle men out of high prices, something that makes her that much more like her idols. It's an ill-fitting hand me down dress.

And one of her idols is Mirajane Strauss, model for Sorcerer Weekly, barmaid, softest smile in all of Fiore. A feminine icon. Maybe if she can be like Mira... Maybe she'll be good enough.

But here's the grand secret: Mira's feminity is a mask

So where does that leave Lucy?

At times Lucy catches sight of this sort of dance that Erza and Mira do. They perform the roles of a butch and her femme. Mira prepares the food, shares gossip, and flashes a pretty smile. Erza pulls out the chair, carries whatever's heaviest, and gives Mira a kiss. It's a show of sorts.

And then, at another point in time, she catches sight of Mira, who is sitting on the steps behind Fairy Hills. In those quiet moments, without the makeup that hides her eye bags, without the cute dress, without the smile... smoking a cigarette and sharing a late night beer with Erza... And the two look so alike that for a moment she cannot recognize Mirajane Strauss. For this small moment she really catches sight of the She-Devil, not just the rage that triggers her monstrous transformation, but the person she was before that grief, and who she really is after that grief.

She realizes what lies underneath Mira's facade. She sees that little butch kid in Mira get some air, get to breathe for that slim fragment of time and she understands. Sees the way Mira's posture changes, her attitude changes, her dynamic with Erza changes. And most of all the way that she looks truly and genuinely unguarded.

And Lucy realizes... That maybe she's just like Mira... Her true self is buried under 6ft of dirt... And that maybe she's suffocating herself alive

[amuseoffyre]

Thinking about the current series of Who again in the context of the overall arc beginning with the Toymaker episode and the running thread of media and self-awareness within the show.

The Toymaker set things in motion with Stookie Bill, invading and overpowering the world through the very first television broadcast and "if the very first image has been hiding in every screen ever since, sneaking into your head, carving a wave and waiting", wouldn't something like that leave a mark?

We know the Toymaker has 'children' of a kind in the shape of Maestro, a creature that consumes and manipulates music. We also know a fragment of the Toymaker (eta. forgot it was the Master trapped in there) was picked up by someone/something at the end of the episode.

We also know there's something bigger than Maestro on its way - The One Who Waits.

It got me thinking about the genre jumping this season has been doing all over the place and the way different kinds of media and watching and use of media is critical to every bit of the plot.

The Church on Ruby Road - Ruby's life is very literally the subject of a television show which is the trigger for her becoming the target of the Goblins (Documentary)

Space Babies - a group of children confined in a space station with tasks and jobs and monitored by someone unseen who is watching them and will speak to them through an audio system (Big Brother)

The Devil's Chord - Centred on real musicians saving the day with a show-stopping finale significantly with "we should visit [Star Trek]", Maestro playing the Who theme music, diagetic sound being mentioned and multiple characters breaking the fourth wall, suggesting self-awareness of being part of the media (Musicals)

Boom - A dramatic war story where someone goes in search of their lost father on the battlefield spiced up with conspiracy of Big Capitalism's war profiteering (War films)

73 Yards - All the broadcast and media related elements that help Ruby piece together her role and defeat the villain of the episode without doing anything herself with all cameras pointed and focused on her - she is the object who is being watched but uses that as a weapon, turning the MP character into the subject (Horror/Fairytales)

Dot and Bubble - this one speaks for itself, really. The echo-chamber of 'influencers' sustaining themselves on a self-feeding fatuous loop of people so awful that the AI designed to protect them eats them XD (Youtube-style media)

Rogue - they're cosplaying Bridgerton. The Doctor, Rogue, Ruby, the villains. They're all cosplaying Bridgerton and say as much in the dialogue. It's a play. A drama within a drama. About watching and waiting for the narrative beats and recognising the arcs and trying to rewrite the story (Bridgerton)

Then we have the recurring character (played by Susan Twist) who appears through all of the episodes, which is what's bringing me back to Stookie Bill and the concept of someone being present inside the story from the beginning.

What if she is the one who waits? She keeps recurring in every storyline they stumble into because - like Stookie Bill - she's "hiding in every screen ever since, sneaking into your head, carving a wave and waiting".

And, because my brain makes giant leaps of logic, it made me think of the most famous icon of the BBC from back in the day: the Test Card F screen, that was put on the screen when no shows were playing. It was on screens across the world for decades. It was iconic and it was a sign to wait for your shows to come.

One who waits with a puppet and a game :D

[sparkrls]

Youtuber!Y/N x Harry Styles

MASTERLIST

Summary: Y/N is a Youtuber who does videos on celebrity gossip, then gets cancelled for the unethical nature of her channel. And finds her way to Harry to be better and learn from her mistakes.

Author’s Note: Tumblr exclusive! We’re feeding the girlies 🤪

•••

THE DEVIL HAS FALLEN: Y/N Y/L/N FEUD WITH AMANDA MCADAMS FINALLY OVER?

After months of a brutal and relentless feud between Youtube influencer Y/N Y/L/N and actress Amanda McAdams, it seems that Y/N has finally disappeared

After deleting all social media posts, and wiping her accounts clean, Y/N released a statement on twitter, declaring:

Y/N Y/L/N started off as a Youtube creator, filming videos of her singing covers of her favorite songs. After finding no success, she began to venture into creating videos about the one thing she knew everything about: celebrity culture.

Y/N found rapid success and her videos soon became viral, with her first series, ‘Internet Gossip’, explaining various cases of infamous celebrity deama. With the rise of social media and a wave of consuming media based on celebrity drama and gossip, Y/N found her place among an audience of mostly young women.

Soon becoming very successful with her videos, she branched out, beginning a few series, among them, ‘Salty Scandal’, focused on celebrity feuds and ‘Radical Romance’, about ongoing or previous famous relationships.

Although Y/N had a large fanbase, her rise to celebrity status was her first red carpet at the People’s Choice Awards, where she participated as an interviewer. It didn’t take long for her to become viral, as she was abrasive and blunt with her questions, not wasting time by beating around the bush.

Among fans and watchers, she was known as someone who searched for truth. Among those questioned, she was thought of as a person who dedicated their life to exposing others and invading privacy.

Y/N began to see the results of her fame. Her community grew and she hosted countless red carpets, interviewing the most famous people on the planet. And just as she seemed on top of the world, her downfall came from her own creation.

With the video, ‘Amanda McAdam: Actress or Victim?’, Y/N claimed that McAdam’s had dramatized her experience with a verbally abusive director, and that it was all for ‘a pity party’.

Following this video, McAdam’s and Y/L/N began a long feud, including several Twitter arguments and subtle shade thrown at each other in interviews or Instagram posts.

It culminated in what seemed to be the final blow; McAdam leaking Y/L/N's address. People and paparazzi alike stood outside of Y/L/N's home, with signs and hollers to let her know what they thought of her. This caused the Youtuber to have to hire private security to escort her as she moved to an undisclosed new home.

Everyone is glad to see Y/N, the devil of the internet, finally gone from the public view. Hopefully forever.

liked by y/nstan07 and 188,242 others

celebrityupdates Y/N Y/L/N spotted for the first time in THREE MONTHS out in LONDON today!

view all 2,541 comments

username1 wtf? who wants to see her?

username2 Did I miss something? Since when is she in hiding? And didn't she use to live in LA?

-> username3 Since her address was leaked by Amanda

-> username2 omg, that’s so fucked up

-> username3 Y/N had it coming after all the shit she said about Amanda

username4 idc what y’all say, y/n is still an icon and that b**ch

username5 I don't agree with anything that Y/N does, but her having to move to another CONTINENT to avoid stalkers and death threats is too far

username6 she should’ve stayed in hiding

username7 Y/N is so fake, she deserves all the hate, tbh

liked by yourinstagram and 5,927 others

ynisthatbitch Y/N for her newest interview with Variety

view all 1,876 comments

username1 WTF? Isn’t she cancelled?

username2 I really don’t care how much she claims to have ‘changed and improved’. Once a devil always a devil

username3 Y/N does NOT deserve a redemption arc after all the shit she talked

username4 Does Y/N seriously think that she can disappear a few months, claim to have gone to therapy and done self-reflection and everything will be fine?

-> username5 I think she just craves attention

-> username6 LMAO fr, Y/N just wants to be famous again. TOO BAD!

username7 Honestly y’all, if you took the time to read the article properly, you’d understand that Y/N was just a teenager!

-> username8 Y/N was literally fifteen when she started making those videos. Every 15-year-old makes mistakes

-> username9 Y/N is no longer 15. She’s now 21 and should know better.

-> username10 Or maybe it took a reality check to burst Y/N’s bubble and make her realize that she’d normalized things that shouldn’t be normalized?

-> username9 That sounds like excuses to me

liked by sparkrls and 107,187 others

harryflorals HARRY AND Y/N Y/L/N LEAVING THE SAME GYM TODAY IN LONDON!

view all 15,678 comments

username1 WHAT THE FUCK???

username2 this cannot be real

username3 why would harry associate with the devil?

-> username4 lmao fr fr

username5 It has to be a coincidence

-> username6 Did Harry conveniently forget that Y/N once made a whole video about his relationship with Kendall Jenner and called it a 'wretched PR stunt’???

-> username7 I find it crazy to believe that THIS isn’t a PR stunt

username8 Maybe y’all shouldn’t make assumptions about people you haven’t met? Harry clearly knows Y/N personally and has good judgment.

-> username9 stfu, no one asked for your opinion

username10 Is it so wild to believe that people can change (Y/N)?

-> username11 once a devil, always a devil

liked by gemmastyles and 833,384 others

annetwist It was wonderful to meet the lovely @yourinstagram and finally hear her perspective on her life! Read the article, written by yours truly. Thank you, Y/N, for your well-thought and introspective words ❤️

view all 22,864 comments

yourinstagram Thank you for giving me the chance to talk to you and share my side of the story 🫶

-> annetwist 💕

username1 Y/N is Anne-approved. That’s all I need to know.

username2 what is wrong with the world?

username3 I expected better of you. I thought you had common decency than to associate with the devil

-> annetwist I believe that God is all about forgiveness and Y/N has found her way to kindness and forgiveness ❤️

username4 say it with me, 4+4=

-> username5 ATEEE

username6 Thank you, Anne, for interviewing Y/N and giving us such a fresh perspective on everything that happened in her life. Loved the article 💕

-> annetwist Thank you, love

liked by gemmastyles and 2,194,801 others

yourinstagram Hell Is My Birthplace. New Single. Jun 1, 2022.

view all 7,657 comments

annetwist Can’t wait to hear it

harrystyles 🔥

-> username1 EXCUSE ME?!?

taylorswift WOW. Loved the preview 😉

-> username2 MOTHER?

-> username3 nothing is more iconic than y/n’s once greatest rivals now becoming her biggest supporters

username4 Y’all doubting if Y/N changed, but if Taylor and Harry can forgive her, so can I

username5 ICON. MOTHER.

username6 you don’t get it. y/n was called a devil and now she’s saying hell is her birthplace. and it was announced on the anniversary of her cancellation. you just don’t get it.

username7 no one will ever love y/n and her cunty moves more than me

username8 I LOVE YOU

username9 I hope your address gets leaked again

username10 ONCE A DEVIL ALWAYS A DEVIL

-> username11 stfu

liked by ynstan07 and 15,768 others

ynupdates INSIDER INFO FROM DEUXMOI!

view all 1,656 comments

username1 I can’t imagine Harry with someone with Y/N

username2 Honestly, I get it. As an ‘I can fix him’ girlie, I understand Harry 😔

username3 not my husband with the devil!!!

username4 Speechless

username5 they lowkey seem cute together

username6 I'm happy if Harry is happy

username7 If Harry is dating her, then Y/N has definitely changed

liked by harrystyles and 1,646,410 others

yourinstagram Paint the Town Red. 2nd Single.

view all 2,678 comments

username1 not harry liking all of her posts 😭

-> username2 man is WHIPPED

username3 MMM SHE THE DEVIL

-> username4 obsessed with y/n leaning into the devil image during her comeback

username5 is anyone concerned that she’s being so provocative?

-> username6 y/n has been laying low and keeping her life to herself. i’m not concerned

-> username7 i think she’s the happiest she’s ever been, tbh

username8 that line "You can't talk no shit without penalties" DAMN

-> yourinstagram I said what I said

liked by harrystyles and 1,121,107 others

yourinstagram dancing with our hands tied. a good metaphor and my 3rd single. out now <3

view all 3,787 comments

harrystyles 💕

-> username1 harry KNOWS this song is about him and y/n

-> username2 He’s a proud boyfriend and we stan

username3 omg the soft launch

username4 PARENTS 😭

username5 lowkey concerned about the two together

username6 am i the only one who doesn’t like the two of them together? it feels icky

-> username7 good thing it’s not your relationship

-> username6 y/n is a terrible person

-> username8 you’ve never met her. don’t make assumptions

username9 awww my babies 😭

username10 I LOVE YOUR MUSIC AAAAA

liked by yourinstagram and 5,677,207 others

harrystyles Grammys. February 2024.

view all 87,567 comments

yourinstagram thanks for being my date <3

-> harrystyles always xx

username1 not my parents flirting in the comments 😭😭😭

annetwist cuties 💕

gemmastyles love you both ❤️

username5 THE FAMILY APPROVAL

username6 Y/N is officially the first gf to be on Harry’s IG feed

username7 tbh, I think that Harry really helped Y/N at her worst and allowed her to redeem herself

-> username8 FR. look at her smile. She’s never seemed so happy. I think Y/N is finally being herself

-> harrystyles Y/N did all the work herself, I was just along for the ride x

-> yourinstagram Don’t be fooled no matter what he says, he saved me.

username10 WAR IS OVEEERRRR

username11 I love seeing Y/N grow so much in her life

-> username12 I don’t think she ever liked who she was before. She seems so happy now

-> yourinstagram Funny how being yourself can fulfill a person. Become a version of yourself that you can love and love will surround you

[paragonrobits]

thinking about how a few people pigeonholded Wyll early on as 'standard Goody Hero you wind up ignoring for more interesting companions later' and how this is very much not the case but it takes some attention to notice it

among other things, he's a non-ironic and genuine hero, free of prejudice in a way that is SIGNIFICANT in the setting; tieflings are widely hated and feared, accursed and constantly driven out wherever they go, and Wyll's establishing character moment is him leaping to their defense, holding the line to protect the tiefling refugees and the adventuring group present at the grove, and then training tiefling kids to defend themselves with a heroic encouragment that they are extremely unlikely to have seen at all from non-tieflings, especially a human. this same attitude underscores his character overall, where he never does any kind of self-righteous attitude you might expect; he's surprisingly indifferent for the most part for traveling with a vampire as long as Astarion keeps his appetites in check, and his response to you voluntarily becoming more illithid/embracing the power of the tadpole is 'weird but you do you'

then, there's his dynamic with Karlach

they have a LOT of closeness over the course of the game that can be read as romantic, and they're certainly very close over the course of the game, with Karlach passionately referring to Wyll as her best friend not that much later on (I think I've seen it proc as relatively early as sometime around the grove party, depending on character quest progress?). They are the single most straightforwardly heroic members of the party besides Halsin (who is only actively a party member much later on), work very well as ideal mainstays for a heroic/compassionate playthrough as well as a Dark Urge struggling to keep themself in check, and are exclusive to siding with the tiefling refugees, reinforcing their status as moral exemplars.

More to the point, though, they're linked to each other; Wyll's quest, upon joining, encourages you to beeline it to Karlach, and his story arc VERY HEAVILY leans towards siding with her and accepting the consequences, and this means that they're basically peas in a pod, character-wise (and assuming you're not playing as a melee-focused class yourself, synergize quite well for making a party as their default classes and set ups lean well towards a beatstick and melee/magic hybrid respectively).

this is where Wyll's character design-as-story communication comes in, subverting the assumption of him being a 'boring' character; quite apart from the fact that a POC adventurer is rather atypical, especially one shown as prominently as Wyll, along with the fact that he is a warlock (arguably one of the stereotypically 'evil alignment classes', or at least inherently edgy, ESPECIALLY with Wyll clearly being a Fiend Pact from the get-go) but is nonetheless the single most moral person you meet early on; he's a scarred guy clearly who has been Through It but is nonetheless charming.

Then, in what seems to be his expected character arc, he accepts that Karlach is not a devil at all but a tiefling in a similar situation to him, fully aware that he is going to horribly suffer for it and gritting his teeth anyway. This leads to him being transformed into a devil himself (or referred to as such); his face warped with massive horns, scale-like protrusions all over, his remaining eye turned bright red. He explicitly cannot hide this transformation, as they are all far too obvious, and even in the weird world of Faerun he sticks out with many characters who knew him before are outright aghast to see what has become of him.

Wyll looks like a devil; one of the iconic and most horrific monsters in the setting, and he is cursed like that specifically as a punishment for doing the right thing; his cursed appearance is an indicator of how moral and righteous he genuinely is, a scar he suffered to do the right thing. It highlights his morality, and if you came in expecting him to be a pretty standard hero, its hard to say how it gets more of a swerve from that than 'a cursed hero doomed to look like a devil as punishment for doing the right thing'

[nightcolorz]

Top ten dumb pop songs that you didn’t know were actually written about Part 1, Chapter 4 of Queen of the Damned, The Story of Daniel, the Devil’s Minion, or the Boy from Interview with the Vampire!!!!All the creators of these songs u often hear on the radio actually were inspired bu thus iconic chapter in Anne Rice’s queen of the damned!!! Featuring evidence

Teeth by five seconds of summer (it’s about a guy going crazy over his crazy girlfriend with teeth and blood metaphors 🤷)

ET by Katy Perry (Katy perry is in love with a sexy alien, she wants to be his victim and his lover, she isn’t sure if he’s a devil or an angel. 🤷 he’s from a whole nother world, a different dimension. Just replace alien with ginger boy vampire and it’s basically devils minion chapter by Anne rice)

Your love is my drug by Kesha (daniel molloy said this about Armand but rlly he’s just addicted to his blood womp womp. Ur blood is my drug, laugh out loud)

Addicted by Kelly Clarkson (same as the last one but uses the metaphor of addiction to portray how a fucked up relationship is consuming Kelly. Your love is my drug intense scary version. Devils minion the way Daniel is addicted to that thang)

One way or another by blondie (one way or another he’s gonna find ya he’s gonna getcha getcha getcha getcha. Haha run boy 🏃🏃🏃haha)

Tainted love by soft cell (once I ran to you 🕺🕺now I run from you 💃💃 this tainted love you’ve given, I give you all a boy could give you 🕺🕺take my tears and that’s not nearly allll —-Daniel molloy. Yknow they’ve got that tainted love yknow.)

Bad blood by Taylor swift (controversial but true) (um idk blood and break ups and stuff lol, it’s funny)

Pompeii by bastille (cuz they first got together in Pompeii and then their relationship fell apart lmao I’m clever) (Pompeii getting exploded by the big volcano is a metaphor for Armand and Daniel breaking up 💔)

Animals by maroon 5 (this song is so odd lmao, but you can start over you can run free, but u can’t stay away from me, baby I’m praying on you tonight 😾 hunt u down eat u alive 🦁🦁 baby u think that u can hide but I can smell ur scent for miles 🐺🐺. This song is aboit Maroon Five having a abusive relationship where he is threatening some gal about how no matter how she tries to move on he’s gonna hunt her down and swallow her alive like deviant art so like just like Armand devils minion am I right tumblr ha ha)

sweet but psycho by Ava max (I think that Daniel wrote down the lyrics to this song feverishly in his journal as original poetry venting his complex feelings on Armand as he hunts him down)

paparazzi by lady Gaga: (armand he stalks Daniel Lmao)

BONUS: Anne rice actually did irl say that she associates the nine inch nails song “the only time” with Armand and Daniel’s romance so do with that what u will

LEAVE UR DEVILS MINION SONGS IN THE COMMENTS BELOOW??!!

[rukafais]

pspspsps people who are interested in Forgotten Realms devils have you heard the good word of Brimstone Angels, an excellent series by Erin M Evans that has two tiefling protagonists that are sisters raised by their dragonborn dad who adopted them, and covers Nine Hells hierarchy stuff, what it means to be a devil, life as a tiefling during a specific time period, and ALSO features a specific dragonborn culture?

Cause here's my recommendation, you should read it, it's fucking good actually.

Farideh made herself keep smiling, as if she couldn’t hear Criella’s implication that she ought not to have the book in the first place. “From Garago,” she said, naming the wizard whose book it was. “He lends books to Havilar and me sometimes.”

“Havilar and I, dear.” Farideh bit her tongue as Criella continued. “And where is your sister?”

“Inside, probably,” Farideh said. Criella pursed her lips, and the younger tiefling quickly added, “I haven’t seen her in some hours. She’s likely with Mehen.”

“Does Mehen know you’re borrowing magic books?” Criella asked.

Farideh turned it over and opened it to show the frontispiece. “It’s just a history book.”

“The Legacy of the Skyfire Emirates in the Calim?” Criella said. “What has you so interested in there of all places?”

Far, far to the west, other tieflings sometimes joined the fiery efreets in the Calim Desert in their perpetual war against their enemies, the djinns of the air. Criella didn’t have to say another word—Farideh knew what she was implying: Why was Farideh reading a book about rogue tieflings who aided monsters and known slavers? Didn’t Farideh understand that she—just like everyone else descended from devils and fiends—had to know her place, to stay safe somewhere like Arush Vayem, to be quiet and unnoticeable?

Or did Farideh want to be the sort of tiefling who made life hard for the rest of them?

“He mentioned them,” Farideh amended. “It seems like such a silly thing, don’t you think? For so many hostilities to range around something as unchangeable as one’s nature?”

Criella’s smile vanished altogether. “Ah. Is that something else Mehen has taught you?”

Farideh flushed. “That … the djinn shall always be djinn?” she said as innocently as she could, but her pulse raced. It had been too near to admitting there was something like fear lurking in herself. That the lines of descent that linked her to some long ago and faraway fiend were more powerful than anything she could affect. “I believe that’s why they’re called elemental,” Farideh added.

“Of course,” Criella said, but already she was studying Farideh as if there might be some sign of her true nature unfolding. Farideh blushed harder. Any of the human villagers would find Criella’s scrutiny too subtle to notice. But Farideh’s eyes were like Criella’s—she knew the shifts and flickers of a tiefling’s eyes. Criella wasn’t trying to hide her disquiet.

Farideh longed to tell Criella that she knew. That she hated it. That it was worse coming from someone like Criella, who was a tiefling too. Who had gotten the same scrutiny from someone else when she was Farideh’s age. Who had cut off her horns and clubbed her tail because of those looks and run away to Arush Vayem, a community of tieflings, dragonborn, and anyone else who wanted to disappear. ----

His path crossed a balcony that overlooked the Court of the Sixth, and Lorcan paused a moment. The archduchess herself perched on the throne, carved from the ivory that had been her predecessor’s teeth, her batlike wings curved around her like an icon’s niche. Coppery skinned and dark-haired, Glasya made Rohini look common. Glasya made everything look common. If corruption had a form, it was Glasya, and not a soul looked upon her that didn’t feel the urge to throw itself headlong into that corruption. She radiated like a star and she swallowed up the light around her. To look upon Glasya, Lord of the Sixth and Princess of the Hells, was a special sort of madness.

---

“His destruction would benefit many,” Ilstan said. “It would be a boon to us all, and—”

“Is he like Shar?” Farideh asked. Ilstan frowned at her. “Dahl told me once you worship Shar when grief overtakes you. You give her a little honor so that she eases the sadness through your life. That the evil of Shar is that she’ll try to pull you down into that darkness, to make you stay. Is he like that?”

Ilstan shifted uneasily. “One might say so.”

“Have you given him worship then?”

“I’ve … You can’t ask me that.”

Perhaps, but Farideh could picture it: you pray to Asmodeus in the dark, for protection from the darker things, from the darkness inside you, for the blindness of other gods to the sins of your heart, for a silver tongue and a weight on Kelemvor’s scales, come the day. Freedom from consequence.

Asmodeus is the god of easy paths, Farideh thought. A god of happiness, as he says it.

[findafight]

Au idea I'll probably never write:

Steve as seven au, BUT he escapes at the same time as El in season 1. They get separated after Benny's, when seven tells eleven to run and definitely kills a couple government agents to give her more time.

So the a plot of will being missing and Mike finding El? Standard canon except El is ALSO looking for her brother and is worried about him. She sees that he's mostly safe and tries to help find will but also insists she go to her brother soon.

B plot of barb and Nancy...idk I haven't really thought about how that'd work without Steve's kickback. Maybe they go to a party (like actual party not the five person hangout) together and get separated and no one notices barb disappear from the edge of the lawn. Idk

The C plot is seven, kinda bloody and definitely cold, wandering out into the middle of the street, and one Robin Buckley almost running him over with her bike. She immediately clocks "guy who seems pretty fucked up" about him, and offers him a ride to her house. But Robin has never been the most coordinated of people and biking with a(admittedly probably too skinny) teenage boy sitting in her package rack is hard, and combine that with a guy driving like the devil's after him, they end up swerving of the road.

Eddie steps out, apologizes profusely, and offers them a ride. seven is sceptical, especially when both of them pause when he tells them his name, but does end up in the van. He finally gets a chance to breathe once they get to the Buckleys', and Robin gets him some leftovers.

He sits in front of the tv set to a blank station, tucks his head into his shirt instead of blindfolds, and tries to see El.

He sees her older, with flowers braided through long hair, laughing. Too far. He sees her with short curls, a patterned button down, eating something in a cone beside a mustachioed man. Too far again. He sees her tiny, scared, holding his own small hand. Not far enough.

Finally, finally, he sees her as she knows her now, mostly, standing beside a group of children and in front of a monster in a large room.

Eddie and Robin have no idea why their new friend? Has turned the tv on to static and is hiding in his shirt, but figure he's had a rough day. He pops his head back out, blood dripping from his nose, and grins, telling them he knows where his sister will be.

Anyways blah blah blah El sees where people ARE Steve sees where people have been/will be (based on where/who they are right now. Futura is constantly in motion etc).

Idk season 2 would happen very similar as canon minus stancy break up (they never date and are just friends) (also Steve tells Robin and Eddie he and El are safe and they pass it on to the kids) El finds Kali, Steve fights demodogs, etc etc.

But I want a (pre?) season 3 scene where Robin and Steve are hanging out as soulmates do, door closed because they are discussing Sensitive Subjects (gay shit) and giggling like schoolgirls. Hopper, in all his disappointed dad glory, opens the door and starts in on a rant about keeping the door open three inches.

Steve, bitch that he is, just tilts his head to the side and says "but that is for when we are with people we date. I am not dating Robin."

Hopper, not yet picking up what's happening, sighs. "Kid. It's about propriety. You can't be alone with Robin, because what if you do start dating. Then it's. You have to set an example for El!"(it would be a nice move bringing up Older Brother Responsibility, except...well.)

"but we aren't. I am dating someone else?"

"still need the door open three inches, pal. When El is home, at least"(El is almost always home)

"we do! And you complain about the loud music!"

"wait. Who are you dating? I thought Nancy was dating Jonathan still. She barely comes over." Hopper please pick up what Steve is putting down oh my god.

(hop has forgotten Robin is there and she is trying very hard not to make noise but Steve keeps meeting her eye sometimes because dear god. truly an iconic moment in friendship history.)

"yeah obviously. Eddie comes over all the time, though."

"what does Ed- oooh. Ah. I see. That's why you keep the door open even though he complains."

Steve nods like Hopper is the dumbest man on the planet. He might just be. "Yes. Because you said El had to and she asked why I didn't have to so then I started to leave it open when Eddie was over. At least Eddie doesn't laugh at you to your face"

"Eddie laughs behind my back?"

"he said you didn't know we were dating but I told him of course you knew, the door is open three inches."

Hopper clasps Steve's shoulders and looks him in the eye. "Steve, I need you to keep telling him that. And not mention this very awkward conversation we had."

"because he was right."

"he doesn't need to know that."

That's all I got lmao (also check the tag ramble I added lol)

[screensland]

Mary — Where the Devil Hides, 2014.

[nalyra-dreaming]

Hi! Love your blog :)

Do you think Louis being pimp will be brought up? Because I felt like it was forgotten by both the show and fandom. We had iconic confession scene done incredibly by Jacob where he acknowledges his faults against women, then he gets turned and proceeds to be a pimp.

I always felt like this and Louis at the present being billionaire in Dubai and both of these aspects being swept under rug in Louis' narration is extremely important thing that will be addressed in further seasons. Do you think Claudia knows that Louis was pimp? I can't imagine Louis sharing it with her on his own.

With her being aged up and being object of desire of no one but teens and perverts and of course being survivor of SA, her being orphan, Louis exploiting women sexually paints even more stark contrast.

Thank you for answers!

Hey!

Glad you like :)

I don't think that it's been forgotten, tbh (though it is not often brought up in fandom, granted).

But the show will surely come back to this before all is said and done. Dubai, built on slave labor and gold, is definitely not a coincidence as being chosen for the modern part of the show. And what Louis may wish to hide from Claudia (because I agree, he probably wished to keep that part of his past from her) could soon become a moot point when there will be a whole coven of vampires who can just read his mind.(*)

I'm not sure though if that past will be actually used against him next season, but it will still come up, of that I'm very sure. Because Armand's past will call back to this... and Claudia's SA will call back to Lestat's. And Louis still pays "whores" in Dubai... blood whores, to put it plainly. Daniel did call himself his whore as well, which is also no coincidence, and, given some events of the Devil's Minion arc might yet call back there, too. And who knows what "The Farm" actually is... We'll see.

(*) I agree that Claudia's fate shines a very painful light on Louis' previous occupation, but I feel like she probably knew about it. Like... New Orleans might be a big city, but Louis was an institution. For a while. He already told her that she came after his part of Storyville burning, and Claudia, being this clever and inquisitive girl that she was then, most surely went and investigated. We see later how she educates herself, chooses to learn languages, read up on things. There is no reason to suspect she didn't dig into finding out the truth about her parents, her guardians, too.

And I mean, given the later diary entries (that will still come to be) she grew to hate them both.

Given the changes the show made and that you refer to here - that can very well be a big part of it, too. Some of it bleeds through, imho, when she leaves in ep5, she throws it into Louis' face then, but that was before the assault. I bet the bitterness after was quite a different thing then.

Abuse - including sexual abuse - will be a continuous thing throughout the show.

In the books Lestat has been raped into darkness, Armand was sold as a sex slave. Both of these events have been already hinted at in season 1.

Louis being a pimp fits into that very well in a really uncomfortable way. I said it in another post, he still owned people, profited of them, and as @cbrownjc reminded me of, the show even gave him the background of actually being descendant of the plantation owners.

I absolutely believe that the show will hook into this aspect and the inherent abuse aspect for all characters.

Louis' might have been... let's say put aside for now, but I would pay real money that it has not been forgotten, because ultimately vampires maim and rape their prey, right? To death.

I think they will address this, again and again, over all the season. And it will be very uncomfortable and harrowing at times.

[mzannthropy]

Sam Claflin's Upcoming Roles

It has been a long dry season for a Sam fan! While we patiently wait for the release of Bagman, allow me to indulge in a bit of rambling about Sam's projects in production, post-production and in development. (As of August 2024)

Bagman - probably a mid horror film, I'm okay with it. Sam plays a father protecting his family from the titular monster. I like his looks in the trailer. The kid who plays his son is cute.

All The Devils Are Here - originally titled Animal. I like this title better. Seems a very low key movie, they seemed to have filmed it without anything being announced about it. The synopsis is: "Secluded in the middle of Dartmoor, four thieves find themselves hiding out with nothing to do but count the money and time to kill." Sounds like it could get quite dark, and I like that! Suki Waterhouse is in it, but I suspect she is not one of the four thieves (although she might be), so it is possible her role is a smaller one. What I'm really hoping for with this one is nice scenery. The director, Barnaby Roper, is also a photographer, so I think the shots of Dartmoor will look gorgeous, even the film will turn out to be bad. I like seeing Sam play villainous/shady characters.

The Count of Monte Cristo - one of the most beloved classics in the world, and Sam as one of the most beloved, iconic heroes! When I first heard of Sam's involvement with this, I refused to believe it for it felt too good to be true! (Silly me--I should know to trust Sam.) I will be counting down time once the release date is confirmed. I will also, more likely than not, go absolutely nuts over it. Bring on all those disguises!

Lazarus - likely a typical Harlan Coben thriller series, (not based on a book but an original idea), you know what to expect from them. It's the nearest thing we get to Sam as a detective. Made more special for me by it being filmed in and around Manchester, where I live. I'll get to see Sam walk the same streets I have! He's also an executive producer, a job he's lately been taking on.

Watch The Skies - this is an animated film, so it's a voice role. It's been in production for a long time (at least 5 years as Sam was still married to Laura Haddock when they recorded, she's also in it). "On a thrilling chase around the earth, an alien castaway and the earth kids who rescue him discover that life, love, and adventure are the same throughout the galaxy." I like that, might turn out to be a really cute kids' film.

Perdition - set in WW2, Sam is an American soldier pursued by a Nazi officer. Getting ahead of myself by tipping it to be his best film yet. (Will go back to this to see how right or wrong I was, lol.)

Barbaric - this is the best fucking thing ever, even though I know almost nothing about it. The description is enough. This is the type of role I've wanted for Sam since forever. A barbarian cursed to do good, with a talking horny axe voiced by Patrick Stewart as his companion? A medieval fantasy with equal measure of gore and humour? Is the universe giving me everything I wished for?

[satanandsoul]

What does your inner Lilith have to say?

Lilith is a mythological figure from Jewish folklore and ancient Mesopotamian mythology. In Jewish tradition, she is said to have been Adam's first wife before Eve, but she refused to submit to Adam and was cast out of the Garden of Eden. Lilith has been portrayed as a seductress, a baby-killer, and a demonic figure in various interpretations throughout history. However, in contemporary times, she has been embraced by some feminists as a symbol of female empowerment and rebellion against patriarchal authority. Some view Lilith as a feminist icon, celebrating her independence and resistance to male domination. Lilith's mythological significance can be seen across many cultures, where she is often associated with sexuality, fertility, and women's power.

<<Pile 1>>

Your cards: The Hanged Woman (The Hanged Man in RWS), 7 of Swords, 2 of Pentacles

Your inner Lilith is trying to tell you to accept your accountability in conflicts, reassess and prioritise your work. Your inner Lilith is not asking you to be innocent and peace-loving as those princesses in Disney animations. She understands that sometimes you need to put people in their place. Because you cannot let everyone walk all over you. But don't ever think that you don't have a responsibility here for starting the fight. You too play a role in it. But try to reassess and prioritise what is important to you, for example you work, your business, your creative projects. But more effort into these and you can ensure a brighter future. Fights can't bring a bright future.

<<Pile 2>>

Your cards: The Devil Rx, Five of Pentacles, Justice Rx

Your inner Lilith is trying to tell you the way you view and handle money is letting you into a vulnerable position and instability. There are three ways of interpretation here: 1) You may not view money as the most important thing in the world. So much so, this attitude has led you into poverty; 2) You are a spendthrift, or you spend more than you earn. This too leads you into poverty. 3) You are a sugar baby. Your inner Lilith is saying that the poverty has left you into a very vulnerable position, you may need to rely on others to help you get through the days. You also suffer some injustice because of this. She won't you to change your attitude towards money as soon as possible. So that you can provide for yourself and be autonomy.

<<Pile 3>>

Your cards: Knight of Swords, 2 of Cups Rx, The Hermit

Your inner Lilith is telling you to cut off a toxic relationship as soon as possible. She is also telling you that sometimes it is not bad at all to be on your own. Recently, you have a toxic relationship. This person you are in a relationship with is harsh with words and also degrade your self-worth. Your inner Lilith is telling you to run. Run away from that person. Cut connect with him or her. Go and hide out for a little while. She is saying that being alone is always better than being with someone who isn't worth your company.

[knoxise]

the way shades linger -- a indie/folk playlist for hades game patroclus + achilles (patrochilles)

tracklist and matching lyrics under the cut (playlist icon by wolfythewitch); will be perpetually updated and adjusted

Memory - Aristos the Musical (I wish I had a secret; I wish I had a thousand; just so I could tell him every single one)

You Woke, I Waited - PigPen Theatre Co. (When we are older, we'll hear our bodies say; Oh; We'd find the mountain, survive)

A Long Way Past the Past - Fleet Foxes (I'll know that it's true; that rebirth won't work like it used to be; and oh, man, was it that much better then?)

Ghost's Fingers - Lambs & Wolves (We'll meet where this body ends; Have you ever met a ghost hiding his hands?)

Another Involved - Cold Weather Company (There's another involved, there's a pain in these walls)

Wait It Out - Imogen Heap (Everybody says that time heals everything; But what of the wretched hollow? The endless in between?)

Can You Stay - The Family Crest (Can you stay; Cause you have my heart; Cause you've been mine for all of time)

Open Water Reckless Fishes - Squalloscope (Left all the good ones behind; Not because I wanted to, but because it was time)

Will Tomorrow Ever Come - Cold Weather Company (If time is our debt, what do we owe? Will I see you soon?)

You, Anything For - The Soil & The Sun (You could be the one who I would bleed for; Salt in my wound and seethe for)

Meet You At The Gate - Jayne Trimble (I will meet you at the gate; I don't mind if I've to wait; Cause, oh, it takes a little time to taste the fruit of the vine; show me the way to your heart)

Fair - The Amazing Devil (And clinging to the moment, "Where have you been?" She'll whisper, "I've waited, oh, so long for you to come")

Two Shadows - Benjamin Verdoes (You wanted to unravel, you wanted to escape; Here's the last place we kissed; But we're not trying to speak)

O Icarus - Aristos the Musical (This moment seems like memory; I'm grieving breathing, and the grief is air)

I Design Disasters - Robert Hallow and The Holy Men (And when I am alone; I trace your shape in the air beside me; Give it time love, I know you're wanting more)

Ribcage - Ash the Ghost (There's a ghost of who we were living in my spine; Maybe if we run away we can bring it back to life; Let it sink into our lines and edges)

Calling It Love - Devil and the Deep Blue Sea (Am I another home you lost in the flood; and are you the only living thing that I will ever touch?)

A Better Time to Meet - Adrianne Lenker & Buck Meek (I never feel more found than when I'm wandering; But to hear that quiet voice, I'd give up everything; To follow the soft sighing of the sea)

Always Gold - Radical Face (Yeah, everything goes away; But I am gonna be here until forever, so just call when you're around)

Everybody Here Is A Cloud - Cloud Cult (There's so much more to see in our darkest places; Have you found where your place is?)

The Moon/Awake - The Dear Hunter (How'd we lose our place? Who decided out fate? I'd bare you my heart if I knew that it was still there; I'm too nervous to look)

Rule #33 - Pyre - Fish in a Birdcage (When I looked in your eyes, I said I know you'll be fine; Trust yourself and live it your way)

You and I - Domimi Foster (You and I always were waiting; For the inevitable fall; Can we have one hour longer than this?)

My Love Goes To The Grave - Jayne Trimble (I can't go back, I've done you wrong; This is where I belong, where I'm going you cannot come)

Empty Hall Sing Along - Woodpigeon (Since you came, I don’t know what way is up and where I stand; or where I can; words take on a different plan)

True Love - Emily Brown (True love, tell me what's in your soul; Right when you're most at peace, that's when you lose control)

Shadow Boy - Little Moon (I whisper out your name, knowing you can hear; And you are here; I am here)

The Night We Met - Lord Huron (I don't know what I'm supposed to do; Haunted by the ghost of you)

You Are - Mother Falcon (What is dear to me? You are what is dear to me)

Let's Go Home - Cold Weather Company (Though you know I'll always turn back to you; And wonder what a little more time could prove; I just can't keep being like this)

Resurrection Fern - Iron & Wine (In our days we will live, like our ghosts will live; like stubborn boys with big green eyes, we'll see everything)

Sleeping World - Vancouver Sleep Clinic (I'm a wandering soul, lost in a city of homes; I don't see anything else, cause I'm just learning to hold you above a sleeping world)

Death with Dignity - Sufjan Stevens (Spirit of my silence, I can hear you; but I'm afraid to be near you, and I don't know where to begin)

You Are the Moon - The Hush Sound (Darkness, darkness, everywhere, do you feel all alone?; You don't see what you possess, a beauty calm and clear)

[things-arent-what-they-seem66]

Queen Adam AU

Adam: Seriously how many of those white suits do you own?

Lucifer: Hey, this is an iconic look.

Adam: Well it is a good thing it makes you look very handsome.

*the King and Queen of Hell were invited to Heaven to celebrate peace between Heaven and Hell caused when Adam married Lucifer, it was two years since Adam gave birth to Jake and he was already wanting more babies, he always dreamed of having more babies, at this point they were packing for the trip*

Adam: It has been a long time since you have been to Heaven, many things have changed and I know your archangel siblings would love to see you.

Lucifer: I can think of one who wouldn’t be happy to see me.

*both knew that was Michael, Adam’s identical twin brother who tried to drag Adam back to Heaven two years ago, things were always tense between the brothers, but this just made it worse, after taking the children to the hotel so Charlie with the help of her wife Vaggie and Cain could babysit them, the royal pair went to Heaven’s Embassy they waited for the portal to Heaven to open and they stepped through, at the gates Peter started to sing Welcome to Heaven*

Adam: Fucking stop it Petey, no one fucking likes that song or your moaning.

*Peter hides behind his podium*

Peter: Hello Adam and Lucifer Morningstar.

*Peter opened the gates and the pair stepped through the gates, watching the royal pair arrive was Michael who watched Adam, he was sure that Lucifer had bewitched Adam and Michael would save Adam this time*

((Sorry I also sent an ask about this lol))

Lucifer: Wow, this place is brighter than I remember. Then again it's been a very long time.

Adam: It looks roughly the same. Peters singing still grinds on my damn nerves.

Lucifer chuckled a bit: Well, I know your singing is perfect.

Adam: Oh you.~

They walked hand in hand to a hotel, that was where they would be staying for the time they would be in heaven. Sera suggested they stay with her, but knowing they would want some privacy and Adam knew they wouldn't get that with Sera around.

The couple walk up to the front desk and get their room key, room 665

Lucifer: Really?

Adam: I think that's the penthouse suite.

Lucifer: Yes it is, just funny they wouldn't get one more room

Adam: Pfft, you know why you cheeky devil.

Adam and Lucifer go up to their room and take in the view, they could see all of Heaven from their room.